Every piece of furniture can find its interpretation of the character, just like the material of the furniture, just like the identity of the person; the shape of the furniture is like the appearance of the person; the craft of the furniture is like the temperament of the person. Every piece of classical furniture from its birth to its circulation, has been gradually embossed with precipitation and precipitation over time, with its unique soul and temperament, like a person with identity, thought, and spirit. same. Here we will explore the inner soul of several classical furniture seats.
Throne: As if it were a domineering monarch
The throne, or throne, represents emperors and monarchs in mahogany furniture. The throne is the symbol of supreme power of the ruler. In the ancient royal palace, only the emperors, emperors, royal princes and other kings can use it. During the long historical years of the Qing Dynasty, thrones were erected in many places such as the Forbidden City, Chengde Mountain Resort, palaces, gardens, and imperial tombs. These thrones also reflect the artistic style and technological level of different eras in the early, middle and late Qing Dynasty.
Most of the throne is made of red sandalwood. The material is heavy, the style is solemn, and the carving is exquisite, adding a sense of dignity to the user. The Qing Dynasty throne is characterized by its large size, complex structure, standardized materials, fine workmanship, and magnificent decoration. The inside and outside of the throne, or embossed, or openwork carvings of various auspicious patterns, reveals royal dignity and luxury. Because it occupies an extremely important position in the court furniture, the throne is quite strict in the material selection, modeling, decoration, and even the entire production process, the craft level is extremely high, and the pieces are called orphans.
The throne's unique noble temperament is just like the emperor's unshakable status. The majestic dominance of the throne in the styling coincides with the emperor's grandeur and commanding order. In people's minds, non-monarchs are the ones who can match the throne.
The circle chair: it is like a person with modest integrity
The circle chair has the appearance of "Tianyuan", with the circle below it and the circle is the square. The circle is the main melody, the circle is harmonious and symbolizes happiness; the party is steady, quiet and distant. The temperament revealed by the armchairs is exactly the same as that of a moderately honest officer.
The "circle" and four-footed "square" of the chair seat not only echoes the epistemology of "the heaven and the earth" and the spiritual pursuit of "the unity of heaven and man", but the combination of curves and lines also embodies the doctrine of yin and yang balance. In addition, the circle chair is also a model that embodies the techniques of Chinese classical furniture production. For example, the height of the chair and the height of the armrest must not only consider the visual effects, but also the design considerations that make people sit on the chair; the “S†shaped back plate of the circle chair is based on the human spine. The curve was made, and several hundred years ago there was an “ergonomic†awareness; the skeleton structure, backrest bending process, and partial sculpture all represented the peak of traditional Chinese craftsmanship. All this makes the circle chairs become the best choice for one-on-one, one-on-one and one-wood, with a long-lasting design aesthetic.
In a sense, the doctrine of the mean is that man wants to be outside the circle and the outside circle is not sleek, but rather not extreme or angular. It can be indifferent to anything and everything, everything can be accommodated; the inside is Integrity, self-satisfaction, good personal personality, and responsibility. Reminiscent of it, the chair is not just a mean person.
Official hat chair: especially gentle gentleman
The official hat chair's form is elegant and dignified. It contains a kind of refined literary temperament. Its shape resembles the official hat. It is exactly the ideological expression of "optimistic demise." Like a gentleman.
In the chair of Chinese classical furniture, the official hat chair is famous for its exaggerated stretch and tall figure. Its shape resembles that of an ancient official's hat. It is the classic type of Ming-style furniture.
The caps and chairs are simple, smooth, tall, and dignified. They are often found in the living rooms, study rooms, and bedrooms of the literati. They are also contaminated by the literati's temperament; ancient literati love to sit in large caps, or take care of themselves. Ink and ink, or poems and lyrics, are chic and elegant, calm and peaceful; the raw material, craftsmanship, styling and decoration of the official cap chair are elegant, rustic, elegant, elegant, and fresh. The ancient literati pursuit is unconventional and intriguing. The art of the novel coincides with one another; the official cap chair is a comprehensive embodiment of Chinese traditional culture, and its philosophical thoughts of “benevolence,†“courtesy,†and the Taoist nature manifested in many ways are often found in ancient literati. of. Therefore, it is natural to say that official hat chairs are literati.
Zen Chair: Like a Buddhist Master
The Zen masters of ancient Zen masters usually have specific chairs called "Zen chairs." Zen chairs are different in size and configuration from ordinary chairs. They are suitable for Zen masters to sit cross-legged, and they can make the Zen master straighten up and sit down as a standard meditation. posture. A “everyone takes summers to go like a madman, and the unique Zen Master does not leave the room; not the Zen Master does not have annoyance, but because of the quietness and natural coolness†profoundly reveals the role of Zen. This vacant mood is embodied in Zen furniture.
The wideness of the Zen chair is like the spaciousness of the Zen master and the generality of the heart that can accommodate all things; the form and contemplation of the Zen chair coincides with the atmosphere of the meditation and missionary of the Zen master; the Zen chair's lines are concise and not embossed, just as the Zen master is simple. , not seeking fame and fortune; Zen chair's sturdiness and durability, like the quality of Zen master's tenacity... Zen chair, euphemistic, clean and simple curve, if there is nothing, imaginary, leaving a broad imagination The space and the emptiness of Zen all reflect the character and temperament of a person who attains high morality. It is worth savoring.
Rose Chair intellectual and elegant daughter
The rose chair in the classical chair belongs to the intellectual and elegant representative, the shape is light and clear, like water clearing the hibiscus. However, this "rose" is not a symbol of a romantic rose, but a rose of beauty. According to the name, the rose chair is also an imperial seat of an ancient lady's boudoir, so there is also a name for it: " Miss Chair." This is because it is more appropriate to compare the rose chair with the intellectual and elegant lady.
In the famous Shen house of Zhouzhuang, the chairs furnished by the Nunnery's living room are all rose chairs. An ancient woman sitting in such a chair must be sitting upright, back straight and seated a third of the seat surface to reflect the education of everyone.
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