Watch the Milan Furniture Fair, such as fashion pilgrimage (Photos)

The continued downturn in the global economy in 2009 has made those designs that are either fashionable or conceptual have somewhat lost their usual toes. The masters of loneliness have finally bowed their heads to re-examine the situation, and so is home design. Milan International Furniture Fair, which has done its utmost to break away from home furnishing in previous years, returned to the origin of "both creative and practical" in 2009, which also allows more exhibits to have higher reference. You will find that the essence of Milan is not far away.

     STYLE1 concept exit practical and supreme

The attractiveness of conceptual design no longer exists in the 2009 Milan International Furniture Fair, and the most concerned designs are home works with strong ecological and sustainable characteristics. One thing is very important: those furniture can be used easily, convenient and effective, more durable and have tactile improvements. Some "no design" furniture is also called "the best design" by the industry and merchants.

Ghost designer Philippe Starck from Paris once boldly declared: "Design is dead." He thinks that he is not a "concept" creator, but a "material" producer, and he is ashamed to think that all his designs are unnecessary. We will not discuss whether "design" is necessary. However, it is an indisputable fact that people are pursuing simple and original design. At the Milan exhibition we saw more and more practical products instead of "designed for design" works. Under the financial crisis, the pragmatic style did affect the entire Milan Furniture Fair.

1. A soft-packed bed with a sense of space capsule to meet the dual needs of super cool shape and soft sitting and lying.

2. The combination of red broken leather is far less visually exciting and provocative than those of the future or sexyism, but this is a furniture that is very suitable for the store.

3. A chair with an unusually simple shape, so simple to see no design traces, is favored for its scientific and reasonable structural proportion.

STYLE2 The rise of naturalism

Naturalism is an outdated fashion at all times. The deteriorating living environment of today, the pressure of survival, reflection on self and natural behavior, and the return to nature after extravagant materials ... Designers began to reconsider the relationship between humans and furniture . In addition to comfort, functionality, iconic and other needs, furniture must also meet more emotional factors.

Furniture with natural ideas won the hearts of everyone at the 2009 exhibition. In addition to pure natural expression, there is a delicate and rough opposite beauty, crystal and dry wood branches, luxurious fleece fabric and texture The cool wall texture, the pure metal texture of the table and chairs and the bark-shaped wall decoration, the gorgeous lamps and the thick lines of recycled materials, the coarse ceramic texture of the bathtub and the bright gemstone light ... all made a kind of contrast New breath of life.

4. The branch-shaped changing hanger is avant-garde and unobtrusive. 5. The stool is made of wood veneer and recyclable imitation leather, which not only emphasizes its own weight and bearing capacity, but also suits people of all heights.

6. The spring-shaped floor lamp is simple and natural. 7. Inspired by the cobblestone combination stool, the natural shape exudes metallic luster.

STYLE3 The softness of simplicity and distance

The style inherited from the 2008 Milan Furniture Fair is still simple, but this year it has weakened the sense of distance it brought to people in the past. In the large frame of simple style, the designer added some tenderness elements, made a few "look and use more comfortable" changes in the material, and is closer to life in decoration, rather than focusing on exaggerated performances. The simple style of home design looks more lively at the 2009 furniture exhibition. It is simple and gentle, like a gentle gentleman. After years of tempering, it has a more essential gentleness from the heart and more substantial Considerate.

1. A sofa similar to wool pom-poms is full of romantic and magical colors. 2. The modified leather chair has a simple and retro line, and looks dim like clouds and fog under the light.

STYLE 4 plastic materials return to the mainstream

Plastic materials, once cheap and rejected by many designers, returned to the mainstream at the Milan Furniture Fair in 2009 because of their "cheap" characteristics, becoming the main material for many household items. The soaring prices of wood and metal have forced many furniture manufacturers to compress costs, not to mention the more expensive high-tech materials. Of course, aside from the price factor, the development of new processes and new materials (such as transparent polycarbonate) is also an important reason for plastics to return to the Milan exhibition. The current craftsmanship and materials allow designers to create more furniture in various forms without sacrificing product endurance and robustness.

3. The plasticity of plastic can realize more storage creativity and imagination.

4. The clever connection of translucent and red plastic makes the seat more flexible. 5. The innovative design of abstract dogs is full of humorous charm.
Direct hit

Design inspiration from five continents

Spokesperson: Zhen Jianxiang, Representative of the PR Department of Milan Furniture Fair in China

The brands that impressed me the most at this Milan exhibition are MOROSO, KARTELL, POLIFORM, FLOU and so on. These brands impressed me mainly in terms of design, and their design inspiration is rich and diverse.

This year's design inspiration is mostly based on elements from five continents, colorful. Designers have world-class design stars, as well as budding stars of tomorrow. The design of the exhibition hall is very prominent, eye-catching and novel, which is a big stage for these stars to show their talents. For example, there are veteran designers Ron Arad and Patricia Urquiola, as well as Tokujin Yoshioka from Japan and Stephen Burks from Africa. Coinciding with the 60th anniversary of KARTELL, they launched a series of classic works over the years. Of course, the transparent table of the six-color petal-shaped base of the Italian rookie Fabio Novembre, who was very red at the Milan exhibition this year, was indispensable. The characteristic of POLIFORM lies in the seamless combination of trendy design from generation to generation and delicate craftsmanship. FLOU also stepped out of the bed family and became an enterprise with a diversified series of bedroom furniture.

This year, some designers took their own prototypes or plans to find famous furniture companies, which has made many famous brand products so rich. For example, FRONT Design Office has sent Moroso the dreamy Cushion Sofa series.

These brands all have a success story behind them, and there are three factors: the vision of the business owner, the talent of the designer and the coordination of perfect craftsmanship. At the same time, another element of success is constant innovation, focusing on the sustainable development of design. Now, good brands are taking the international route in design, diversifying themes, constantly launching designer rookies and new designs, as well as new ways of cooperation. Designer Rajiv Saini designed the South American totem coffee table CAPITELLO; Stephen Burks planned to produce the African characteristic furniture AFRIQUE ART DIRECTOR; the jeans brand DIESEL, which is popular among young people, used the "brand effect" to join forces with MOROSO to create a successful living from DIESEL with MOROSO series furniture.

Good design follows the rules of design, such as proportion, structure, beauty and practicality, has a certain artistic and cultural tradition, and at the same time can jump out of the routine to innovate. Good design is not a fantasy. It has both "roots" and its originality. This innovation also includes new sources of inspiration and ways of cooperation.

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